In my fiction writing workshop the other week, our professor passed around lyric sheets to three songs -- Patsy Cline's "He Called Me Baby, Baby"; Harry Chapin's "Taxi"; and Gnarls Barkley's "Crazy." All three are told with a first-person narrator.
One idea behind this lesson is that each of these songs tells a story. When you add the musical component, each song creates a mood. Imagine your character feeling the way that you do about a song -- any song -- and put that character's feelings onto the page. Lyrically, the Patsy Cline and Harry Chapin songs seem to spin a specific and familiar tale, of loves lost and loves unrequited. The Gnarls Barkley song refers to ambition and self-awareness. These are nebulous subjects, which are difficult for a character -- and an audience -- to work through.
I remember when/ I remember, I remember when I lost my mind/ There was something so pleasant about that phase/ Even your emotions had an echo in so much space/ And when you're out there/ Without care/ Yeah, I was out of touch, but it wasn't because I didn't know enough/ I just knew too much/ Does that make me crazy?
I think "Crazy" is a genuine classic. When this song came out, it was all over the radio in a way that I remember thinking was different from most hit songs. Rock stations, hip-hop stations, NPR. "Crazy" was everywhere. I remember thinking, I am going to be hearing this song for the rest of my life. I am surprised to read online (thanks, WikiPedia) that it came out in 2006 -- over five years ago. By and large, I think it has aged well.
Cat Power "Crazy (Live in Berlin, 6.11.2006)"
Shawn Colvin "Crazy (Live)"
Gnarls Barkley "Crazy"
Old School "You're Crazy, Man"